Dec 13

Dame Margot Fonteyn and her ballet buddy Rudolph Nureyev danced
beyond the twilight of their careers. She finally created
dreadful embarrassment on stage at Covent Garden by managing
only three beats of what was meant to be a four-beat entrechat.
The once-loyal audience booed them off stage and into
retirement. The same should happen to South African media
network M-Net’s Carte Blanche TV program.

Everything and every one of us reach a sell-by date. Prescient
retailer Woolworths got the plot a long time ahead of their
competitors. I believe M-Net’s Carte Blanche TV program now
needs to do some serious belly-button contemplation on the same
score. It’s out of date, has become unashamedly biased and is
hosted by fading fogies. Reinvent it or euthanase it.

Market forces are a-movin’ and new subscription-TV airwaves in
South Africa are scheduled to break the M-Net Multichoice
stranglehold – and not before time. This will remove the unfair
competitive advantage enjoyed by the monopoly. It will also
hopefully give executive producer George Mazarakis and his team
the required kick in the backside to revisit their rationale for
and the positioning of their ailing progeny.

If you want to pitch a program as journalism, then do so. SABC’s
Special Assignment is a superb example of genuine investigative
TV journalism. But Carte Blanche has degenerated, unsubtly, into
electronic tabloid. It sets out sometimes with a misinformed
objective in mind and sure as hell doesn’t let the facts get in
the way of the subsequently biased program.

Two examples among many, spring to mind. Every now and again,
when they’re clearly scraping the bottom of the barrel for a
story, they dredge up the tired forty year old Ritalin debate.
Quoting self-serving, self-promotional ‘experts’ like Patrick
Holford. Or a wannabe-famous, jaded American psychiatrist who
takes on his peer group in a desperate quest for his Andy Warhol
fifteen minutes of fame. Carte Blanche ‘researchers’, producers,
directors and in my opinion pseudo-journalist anchors need to
remember the adage that one swallow doth not a Summer make. Just
because some over-the-hill shrink takes a contrapuntal stance,
doesn’t mean it’s fact. Hell, imagine if President Mbeki and his
loyal sidekick, Manto Tshabalala-Msimang and their
vitamin-punting buddy Mathias Raath got this sort of billing.
We’d all become brain-washed AIDS denialists.

The founding tenet in journalism is that you present the facts
and leave the audience to draw its own conclusions. If it’s an
opinion piece – like this article – then don’t pretend it’s
objective journalism. Carte Blanche crossed the Rubicon of
credibility years ago. Their present programming is a pastiche
of current affairs and fluffy investigation, coupled with
headline-grabbing codswallop that’s clearly designed only to
boost ratings.

A very recent example is their pathetic foray into consumer
journalism with the program on mobile phone charges in South
Africa. Over the years, with a number of their ‘investigative’
programs I’ve had an inside track on what’s happened back-stage.
In this case, mobile phone per-minute call costs are in fact
lower than when the service was introduced in 1994. Pre-paid,
introduced in 1996, ditto. SMS rates, ditto. When compared with
similar markets (being realistic on economies, demographics,
population density and the like) South African mobile phone
charges fall into the ‘average’ category. Even when
inappropriately compared with developed economy markets, the
rates fall into the average zone. ICASA’s report on SA mobile
rates was flawed and presented erroneous data. But Carte Blanche
used it as ‘fact’. Pre-paid mobile phone users don’t subsidise
contract users. It’s in fact the exact opposite. Contract users,
whether they make calls or not, are committed to pay a fixed
amount per month for twenty four months. Pre-paid users have
access to a free telephone service following a tiny initial
investment. They don’t have to make a single call. They receive
calls free. They have no legal, financial or other obligation to
the network provider.

Why did this all not get discussed in the Carte Blanche program?
The answer? It did – but it got edited out. Because it would
have thrown the flawed ingoing Carte Blanche premise out with
the proverbial bathwater.

Perhaps Carte Blanche’s perception genuinely was that the South
African mobile phone user was being ripped off. But the
interview evidence demonstrated the contrary. So how much better
if Carte Blanche management had the balls to report so! It’s a
travesty when you masquerade under the guise of journalism only
to punt a pre-determined viewpoint and manipulate editing to
support your erroneous premise.

May upcoming competitive forces light a fire of integrity and
commitment to genuine journalism under the backside of Carte
Blanche – or for heaven’s sake, get it off stage!

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Dec 13

The capital of the Dominican Republic is Santo Domingo. It was the first Spanish settlement in the Americas. Christopher Columbus initiated the first European New World settlement here in 1496. His legacy is preserved in the bricks and mortar of the historic old section of Santo Domingo, which has been turned into an entertaining and interesting Colonial theme.
The South Coast contains some of the countries bigger cities and national parks.
If any city in the world could be declared the perfect holiday destination, then Santo Domingo would probably be a prime candidate, with its modern sophistication, old world charm and Latin charisma, not to mention its position on the tropical southern Caribbean coast of the Dominican Republic.
The only blight on the landscape is the crime rate robbery, muggings and petty theft are common so guard your belongings with care.
It boasts the western hemispheres first cathedral, first monastery, first hospital, first university and first law court. This rich colonial heritage, sparked off in the 15th century by legendary Spanish explorer Christopher Columbus, has been turned into a World Heritage Site in the heart of the city, known as the Colonial City.
The superb shopping, delicious dining, dazzling casinos, seductive parks and vibrant nightlife all beckon enticingly, from the monumental Columbus Lighthouse right down to the depths of nightclubs with multi level dance floors inside a real cave.
The most modern memento to Santo Domingos status as the oldest European city in the Americas is a mammoth structure built on the eastern shore of the Ozama River in the early 1990s to commemorate the 500th anniversary of Columbus arrival in the New World. The building is 693ft long and built in the shape of a cross at a 45degree angle. It houses what the Dominican Republic claims are the remains of Columbus himself and is fitted with intense lights which project the image of the cross into the sky at night. The monument was designed by English architect J L Gleave, who won an international competition for the design after 455 plans were submitted by architects from 48 different countries. The building is also the repository for numerous documents and artefacts associated with the early Spanish colonial times.
The vast green square in the heart of Santo Domingo serves as the cities cultural and artistic showcase, being fronted by a cluster of four museums, as well as the National Theatre. The museums are the Museum of Modern Art, the Museum of History and Geography, the Museum of Natural History and the Museum of Dominican Man. The National Theatre runs a full programme of opera, ballet, music and drama productions.

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Dec 10

 

The confluence of thoughts and ideas from across the world found a culmination in the city of London. In an empire where the sun never set, London not only gained a gradual strategic importance, but also found art and culture thriving and reigning in glory. The opening by Queen Elizabeth I of the Royal Exchange in 1566 marked the growth of the city in world importance, economically and culturally and placed the city in the limelight of cultural importance. It was the time when William Shakespeare wove magic with his wonderful plays. London shows became famous by the word of the mouth. People from all over the world traveled to see the display of genius minds. It was much later that London became the capital of the British Empire during the reign of Queen Victoria and emerged as one of the world’s foremost political, intellectual, and cultural centers.

Cut to the present world, times have changed. A technologically advanced society has given space to the evolution of art. One thing that has not changed is the magnanimous attitude of London to welcome the creation and the creator alike, not to forget about the admirer of course. When a paean to the hallowed Syd Barrett is sung in the form of Shine On You Crazy Diamond in the Earl’s Court, Wembley plays the notes of the mellifluous guitar. Co-existence, yes! That is how London has placed itself in the zenith of places where live shows are held. By shows, we not only mean gigs by famous bands or the rendition of famous plays. Some of the finest performances, be it in Ballet or Opera or Musical, have captured the imagination of thousands in London. Piccadilly and Leicester Square are household names when it comes to London shows .

 

Attending London shows for some may be a way of socializing. For others, it may be titillating the senses.Some people even find a panacea to all problems by simply attending a show and living in the moments. Hurt Until It Laughs or In the Mood for Dancing is just the piquant that one needs to have a memorable evening. The National Theatres around London provide some of the majestic moments in watching a play. La Dolce Vita with Viva Italia or The Asian Wedding Exhibition 2008 provides an insight into the cultural depths of Asia and Italy. Finding new friends and dating significantly ranks as one of the most popular events in London. Find your match in Speed Dating, London in the Red Hedgehog or the Clockwork Bar in London.

If you are in the mood for a sumptuous dinner, you are most welcome to visit 20s – 30s Sugar Hut Dinner Party for sexy cocktails and mingling at the low lit bar followed by a delicious Thai feast or Dinner Dana: Game of Love for a night of food, wine and love. Choose between Fashion Films or the Country Living Fair for a meet out. Catch a performance of Don Giovanni or La bohème at the Royal Opera House or The Coliseum if Opera is what your soul is looking for.

We could go on rambling about the events in London , as if we are on a tour of the galaxy. London caters to the palates of the artist to the architect, the serious traveler to the fun filled adventurer. Reading about the events of London and not seeing them for real is missing a lot. Let us help you guide through the by lanes, the labyrinths, the enigma called London .

 

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Dec 06

At one time, not too long in the past, it was considered social unacceptable for women to participate in sports. Society use to view women as weak and fragile beings that were discourage from participation in sports because the female athlete simply did not fit their view of a typical women. Although in some areas of the world women’s participation in sports is still frowned upon, most modern countries now encourage and celebrate women in sports.

The problem with women in sports today is that, although it is now acceptable for women to participate in sports, there are also expectations as to what a female athlete should look like. For example, gymnastics, ballet, cross country, track and field, volleyball and swimming are popular sports for women to compete in but the attire for these events can be very unforgiving to a female’s naturally curvier figure. The pressure that many female athletes feel to fit the expected image of an athlete in these sports is one of the reasons there has been a trend of women in sports to be prone to developing an eating disorder or something called the Female Athlete Triad.

The Female Athlete Triad is a medical condition is which a female athlete develops an eating disorder leading to amenorrhea, loss of the female menstrual cycle, and eventually osteoporosis, loss of bone density at an early age. This condition is becoming increasing recognized in the medical profession as a serious problem that can have dire consequences if not recognized and treated properly. The Female Athlete Triad is tricky to diagnose because many athletes will naturally lose weight and be thin do to their training. The thing to realize is that if a female athlete is not getting the proper nutrients they can severely harm their bodies. Athletes put more stress on their bones while they are training and competing. If athletes are not getting the correct amount of calories and nutrients then they can cause permanent damage to their skeletal system that can never be repaired. One of the most common side effects of the female athlete triad is the development of stress fractures, a small crack in a bone usually of the lower extremity.

The Female Athlete Triad is a serious problem in today’s society. It is important that athletes, parents, coaches and health care professionals all work together to recognize this problem and get women the help they need before they do permanent damage to their bodies.

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Dec 02

The Royal Opera House is the third theatre on the Covent Garden site. In 1728 an actor/manager by the name of John Rich commissioned “The Beggars Opera” from John Gay, a poet and dramatist. The success of this production helped provide the capital for the first Theatre Royal to be built and on the 7th December 1732, it had its opening night.

The theatre was primarily a playhouse for the first hundred years or so, with King Charles II granting John Rich and the Theatre Royal in Covent Garden, as well as the Drury Lane theatre, almost exclusive rights to present drama in London. Rich also began developing pantomime as an art form which led to the tradition of pantomimes being performed every Christmas – a tradition that lasted until the 1930’s at Covent Garden and still continues today at theatres across the country.

The first serious musical works to be performed at Covent Garden were the operas of Handel, who gave regular seasons there from 1735 until his death in 1759. Unfortunately his organ, which he had bequeathed to John Rich, was burned, along with most of the theatre, in a fire in 1808.

The rebuilding of the theatre began at once and, in September 1809, the second Theatre Royal opened in Convent Garden with a performance of Macbeth. To attempt to recoup the costs of rebuilding the theatre, ticket prices were raised. However, after two months of disgruntled theatre goers disrupting performances with booing and hissing, prices were forced back down.

In 1846, a dispute with the management at Her Majesty’s Theatre (the exclusive home to ballet and opera in London at the time), conductor Michael Costa aligned himself with Covent Garden, taking most of his company of singers with him. The auditorium at Convent Garden was completely remodelled and the theatre re-opened in April 1847 as the Royal Italian Opera.

Fire struck again in 1856, completely destroying the theatre, and work on the third and present theatre began in 1857, before re-opening in 1858. Just over thirty years later, in 1892, the theatre officially became the Royal Opera House, with summer and winter seasons of ballet and opera produced regularly. This carried on until the First and Second World Wars, when the Royal Opera House became a furniture repository and a dance hall, respectively.

Several renovations took place in the 1960s including improvements to the amphitheatre, but it was clear that the theatre needed a complete overhaul. Despite being given land adjacent to the theatre to make room for the renovations in 1975, it wasn’t until twenty years later before work began when the newly created National Lottery granted the Opera House £58.5 million towards the rebuilding costs. The new Royal Opera House was opened in December 1999, with two new, smaller performance areas added to the theatre as well as the now historic main auditorium.

Now open all day and not just for evening performances, visitors come from all over the world to the theatre, packing the nearby hotels in London, and enjoying not only the wonderful shows, but also the beautiful interior of a historic building. The views that the Royal Opera House commands across London from the Amphitheatre Terrace have delighted tourists and guests since it’s re-opening, almost as much as the productions performed.

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Nov 29

Polarity/1, the multi-genre artist best known for bold, honest, hard-hitting songs, is releasing a brand new instrumental record titled Music From the Other Side. Fitting to the title, the album consists of smooth, jazzy tracks much different from louder albums like Yankin’ the Food Chain. Polarity/1’s music has been incorporated by dance theaters and documentarists, including Danny Schechter’s feature-length film documentary ‘In Debt We Trust and Battery Dance Company’s 26th Annual Downtown Dance Festival last year.Music From The Other Side is the soundtrack for a dance performance by Lisbon’s Quorum Ballet. The Other Side’s principal objective is to fuse the style and art of the dance of Lisbon and New York. The work is the collaboration of choreographers Daniel Cardoso, Jonathan Hollander and Thaddeus Davis, artistic directors of Quorum Ballet, Battery Dance Company and Wideman/Davis Dance, respectively. Dark, moody, erotic and aggressive, it explores the theme of oppression, which has always been an issue for the people on both sides of the Atlantic. The piece examines the roles of the different agents: the instigator, the oppressor, the oppressed and the observer.The most impressive song is the vocals version of “Fulano de Tal,” included on the album as a bonus track. Also noteworthy is the exotic, media-infused sound of “Land O’ Debbies.” The entire albums feels like the fusion of every type of media coming together to blend spooky, unique melodies that echo through every track. What really drives the record, though, is the steady, trance-like beat that proves impossible to ignore.The music of Polarity/1 is exactly what the name suggests – “conjoined opposites,” including the new (cutting-edge electronica, hip-hop and nu-jazz) and the old (roots music of America, including blues, funk, country and early jazz, Brazil (samba, pagode, etc.) and West African groove science).You can check out Polarity/1 for yourself and learn how to purchase Music From The Other Side by heading to http://polarity1.musicdish.net

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Nov 29

Polarity/1, the multi-genre artist best known for bold, honest, hard-hitting songs, has released a brand new instrumental record titled ‘Music From the Other Side’. The new CD continues the opinion-filled musical legacy of Polar: fitting to the title, the album consists of smooth, jazzy tracks much different from louder albums like ‘Yankin’ The Food Chain’. Proving that this album is no less diverse than his others, Polar once again shows his ability to spread his talent over a wide variety of genres; his music has been incorporated by dance theaters and documentarists, including Danny Schechter’s feature-length film documentary ‘In Debt We Trust’ and Battery Dance Company’s 26th Annual Downtown Dance Festival last year.’Music From The Other Side’ is the soundtrack for a dance performance by Lisbon’s Quorum Ballet, fusing the style and art of the dance of Lisbon and New York. A collaboration of choreographers Daniel Cardoso, Jonathan Hollander and Thaddeus Davis, artistic directors of Quorum Ballet, Battery Dance Company and Wideman/Davis Dance, respectively, this dark, moody, erotic and aggressive album explores the theme of oppression, which has always been an issue for the people on both sides of the Atlantic. The thought-provoking record examines the roles of the many different characters in life, including the instigator, the oppressor, the oppressed and the observer.The most impressive song on the album is the vocal version of “Fulano de Tal,” which is included as a bonus track. Also noteworthy is the exotic, media-infused sound of “Land O Debbies.” The entire albums feels like the fusion of every type of media coming together to blend spooky, unique melodies that echo through every track. What really drives the record, though, is the steady, trance-like beat that is impossible to ignore. As with all of his albums, on ‘Music From the Other Side’ Polarity/1 proves his ability to keep listeners engaged for every song, as they are never quite sure of what to expect next. Just as his name suggests, Polarity/1’s music certainly is composed of “conjoined opposites”; jumping from instrumentals to upbeat drumming, and from rapping to slow, soulful lyrics, Polarity/1 truly is 1 of a kind.http://www.polarity1.comhttp://www.myspace.com/polarity1music

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Nov 28

The Walnut Hill School, in Natick, MA, is a performing arts boarding school and day program. Students from all over the world have a unique opportunity to combine a rigorous college preparatory academic program with pre-professional training in the arts. The school offers a creative and challenging program in a warm, supportive, community atmosphere. It is the only school in the country that is linked with a major conservatory of music. 

Youth in grades 9-12 can choose a concentration in ballet, music, theatre, visual art, or writing & publishing. The school is located near Boston, giving students easy access to the Boston Symphony, Boston Ballet, Huntington Theatre, Museum of Fine Arts, Isabella Gardner Museum, and many other famous cultural and educational institutions.

This performing arts boarding school boasts such graduates as pop star, Benny Ibarra ’89, actors Matthew Risch ’00 and Van Hansis ’00, as well as singer/songwriter Amie Miriello ’00.  These and other prominent artists have had the opportunity, as young men and women, to study under Walnut Hill’s talented teaching faculty, who represent some of the most prominent writers, visual artists, musicians, actors, and dancers in the country.

Boarding students live on Walnut Hill’s picturesque, 30-acre campus in one of eight fully equipped residence halls.  Resources available to them include a new academic and technology center, renovated library, 80-seat recital hall, photography lab, dance center with five large studios, performing arts center with black box and full-stage theater, art studios, and more.

For more information about the Walnut Hill School, please call 508-653-4312.

 Performing Arts Boarding School

 

 

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Nov 28

The tutuAbout 150 years ago, when ballerinas first began dancing on their toes, a new type of dress called a tutu was invented. This was for two reasons. Firstly, it was very light, so the dancers could move easily about the stage. Secondly, and most importantly, they allowed the audience to see the complicated footwork and leg movements that are so important in a ballet.HOW A TUTU IS MADETo make a tutu you require two pieces of fabric, cut to the shape shown in picture 1, to the right of the page. These two pieces, joined together, form a ‘basque’, which wraps around the waist and hips.

The whole dress is made to the waist measurement of the individual dancer who will be wearing it. However, each dress is designed so that alterations can be made quickly. This might be necessary if the dancer is injured and a substitute dancer has to appear.For the next stage, you will need two more pieces of fabric to make the front and the back of the pants, as shown in picture 2 to the right. These are joined together down one edge. The lines on the pattern indicate where the frills will be sewn. The pants are left flat for the moment, as in picture 3.The frills, made of netting, are now added. The designer has already chosen what colours to use, and may also now decide to add more details to the fabric. This could included cutting the edges of the fabric so the dress looks like it is made of feathers. Early tutus were often sprayed with paint after they had been sewn together, to give the colour required. The spray unfortunately made them very stiff, and difficult to iron!The first frill is now attached along the curved bottom line of the pants using a sewing machine. It is important that the stitching is straight. Four more frills are then added, along the bottom four lines drawn on the pants. Each of these frills faces upwards. Four further fills are then sewn along each of the remaining lines on the pants, this time with the frills facing downwards. Picture 4, to the right of the page shows a side view diagram of this. All of this means that the bottom frills push against those at the top, which is what gives the tutu so much body and shape. In total, between 6 and 7 metres of netting will be used!The pants are now joined together at the other edge, and elasticated at the leg line. They are sewn onto the basque that was made earlier, and each later of frill is joined at the back, so that each one will wrap all the way around the dancer’s body.The tutu is now joined to a lined bodice, which is the part of the dress which covers the dancers stomach, chest and back. It can now be decorated with sequins or extra lace, or left plain, depending on which ballet it has been made for.The whole process will take an experienced dressmaker (a ‘cutter), about two days for one  tutu.http://www.brb.org.uk/2980.html

more articles from www.123fancydress.co.uk

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Nov 26

Once again the position was filled by an outsider!   No one know how hopping mad that makes me.   No promotion for you.   You trained this guy and he gets to move up, not you!  It’s not like you and the boss don’t get along.   Yet, when promotions or a position opens up it’s like you’re invisible.   I need a high school diploma!  I got to do something?

At 23, you’re too old to go back to high school.   High schools don’t have any programs for adults like you.  In fact, you don’t want to be sitting in a classroom next to some teenager.  You need the 40 hour work job you have.  So you can’t go during work hours.   You work overtime to bring in more money.   Can’t tell the boss no, too frequently, to that opportunity!   You need someone who could teach you on your schedule.  Let you learn every time whenever you have the time.

If I had that high school diploma I could move up at the job.  I could show them how much I give.   My reports could convince them to look at me for more duties.  No doubt, I could be part of the go to group of employees.   I sure would feel more secure in the job.  I and my wife would enjoy more money.   Perhaps a trip overseas for a vacation.   Ballet lessons for my daughter.   Those things would be nice but right now not possible.  Still one can dream.

You can go to school and work your current job.  An online class means you learn and study during the hours you choose.  A class that is flexible and open to change fitting your schedule perfectly.   You can study outside the job and family obligations.  You never did like “hurry up and wait” in the Army.  Online classes are private and you set the pace.  Just you and your teacher.   No one need know what you’re doing.  Getting sharp math skills and the ability to write would really help you on the job.  If you could do this in your own home such a class would be perfect.   You can have a private tutor at a price you can afford!

You have just finished showing why online class’s popularity is growing and the enrollments increasing.  Stop thinking and worrying about your future and start doing something for your future.  Look up online classes on the Internet, ask a trusted friend, a former teacher about them.  Then get registered to better your future on your time.  Enjoy your daughter’s ballet recital.  The smile of your wife after checking into that tropical hotel putting the passports away.

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